What celebrity culture was born, if you should find yourself a visit to New York – or even New York where you live – there's a place I would recommend that you stop by.
PrintFriends – How To Make Your FREE Tinklebottom Finger Puppet
I'm thinking of getting a tattoo a bit like in this picture: http://bp1.blogger.com/_XW2d5_m1J24/SEH7X8T_BRI/AAAAAAAAAQY/YP2kRKcLWdw/s1600-h/frederic_michalak.jpg Not free like a tribal design, but same size and position. My girlfriend thinks the idea, but I wonder if it is a little too out there. Any thoughts?
Tribal is so bad along with the location to the bottom of the list of places to tattoo on my body ……. I can safely say that I hate that tattoo, but it is your body …… So why should the opinions of strangers matter?
Sick of Angelina Jolie and Brad Pitt Adopt Children? And hearing about Britney Spears? I have my people and her journal every time you turn around they are with another child and Britney Spears has done something. Just an opinion.
I wish there were more stories alongside them in our lives!
Britney Spears (17 Years Old) at Teen People Magazine Party
Black Enterprise / Pepsi Golf & Tennis Challenge Magazine Celebrates 40th Anniversary This Labor Day Weekend, September 2 to 6 Carlsbad, Calif. – (BUSINESS WIRE) – Black Enterprise celebrates 40 years at La Costa Resort and Spa, 2-6 September, in Carlsbad, CA with Cedric the Entertainer, Hill Harper, Boris Kodjoe, Anthony Anderson and Blair Underwood.
Leilani Entertainment Magazine-On line Entertainment promo
Bogart was born in New York City, the first Belmont DeForest Bogart Child (July 1867, Watkins Glen, New York September 8, 1934, Tudor City apartments, New York, New York) and Maud Humphrey (1868 1940). Belmont and Maud were married in June 1898. His father's ancestors were of Dutch, English and Spanish descent. [Citation needed] Bogart is a Dutch name meaning rchard. His mother's family were largely of English descent and a lesser extent Welsh. [Citation needed] Bogart's father was a Presbyterian, while his mother was an Episcopalian. Bogart was raised in the faith of his mother.
Bogart's birthday has been a subject of controversy. It was long believed that his birthday on Christmas Day 1899, a Warner Bros. fiction romanticize background, and that he was really born in January 1923, 1899, a date which appears in many references. However, this story is to be unfounded, although no birth certificate has ever found, his birth notice did appear in a New York newspaper in early January 1900, specifying the date of December 1899 supports, as other sources, such as 1900 census.
Youth
Bogart's father, Belmont, was a surgeon specializing in heart and lungs. His mother, Maud Humphrey, was a commercial illustrator, whose art school in New York and France, including study with James McNeill Whistler, and later artistic director of the fashion magazine The Reflector posts. She was a militant suffragette. She used a baby picture of Humphrey in a well-known advertising campaign for Mellin Baby. In her prime, she made more than $ 50,000 per year, then an enormous sum of money, much more than her husband $ 20,000 per year. The Bogarts lived in a fashionable Upper West Side apartment, and had a house on an elegant fifty-five acre property in the state New York on Canandaigua Lake. As a youngster, was Humphrey's gang of friends at the lake on affectation.
Humphrey was the oldest of three children, he had two younger sisters, Frances and Catherine Elizabeth (Kay). His parents were very formal, busy in their careers, and often in small foughtesulting emotion aimed at children, "I was raised very sentiment, but very straightforward. A kiss in our family, was an event. Our father and mother have to throw my two sisters and me. "As a boy, Bogart was teased with his curls, his tidiness, the "cute" pictures his mother had him pose for the Little Lord Fauntleroy clothes she dressed him innd called "Humphrey. "From his father, Bogart inherited a tendency for needling people, a love for fishing, a lifelong love of sailing, and an attraction for strong-willed women.
Education
The Bogarts sent their son to private schools. Humphrey started school at the Delancy school until fifth grade, when he was enrolled in Trinity School. He was a indifferent, dull student who showed no interest in school activities. Later he attended the prestigious prep school Phillips Academy in Andover, Massachusetts, where he was admitted on the basis of family ties. She hoped he would go to Yale, but in 1918, Bogart was expelled.
The details of his expulsion are disputed: one story claims he was suspended for throwing the headmaster (Alternatively, a groundskeeper) into Rabbit Pond, an artificial lake on campus. Another cites smoking and drinking, combined with poor academic performance and possibly a number of strong reactions to the staff. It is also said that he was actually from the school of his father for not his academics improve, as opposed to deportation. In any case, his parents were deeply dismayed by the events and their failed plans for his future.
Marine
Coming up with any other career, Bogart took his love for the sea and enlisted in the Navy in the spring of 1918. He later recalled, t eighteen, the war was great stuff. Paris! French girls! Hot Damn! 20] Bogart is registered as a model sailor who spent most of his months in the Navy following the armistice signed, ferrying troops back from Europe.
Trademark scar
It was during his naval stint that Bogart may have been his trademark scar and developed his characteristic lisp, though the facts are unclear. In one account, during a shelling of his ship the USS Leviathan, his lip was cut by a piece of shrapnel, though some say Bogart managed to make out to sea until after the Armistice was signed. Another version, which Bogart's long time friend, author Nathaniel Benchley, concludes the truth is that Bogart was injured during a mission to capture a navy to Portsmouth Naval Prison in Kittery, Maine. Presumably, while change in Boston, the handcuffed prisoner asked Bogart for a cigarette and while Bogart looked for a match, the prisoner raised his hands, smashed Bogart in the mouth with his cuffs, cutting Bogart's lip, and fled. The prisoner was eventually to Portsmouth. An alternative explanation is in the process of uncuffing an inmate, Bogart was beaten in the mouth as the prisoner an open, uncuffed bracelet used, while the other was still on his wrist. According to Darwin Porter's Humphrey Bogart: The Early Years, it was scar by his father, Belmont, during a terrible argument.
By the time Bogart was treated by a doctor, the scar had already formed. "Goddamn doctor," Bogart later told David Niven, "instead of stitching it up, he blew it." Niven says that when he asked Bogart about his scar, he said it was caused by a childhood accident, Niven claims that the stories that Bogart the scar during wartime were made by the studios to inject glamor was. His post-service physical no mention makes the lip scar, although much smaller scars states, so the actual cause may have come later. As an actress Louise Brooks met Bogart in 1924, he had a number scar tissue on his upper lip, which may partly Belmont Bogart Bogart was repaired before in films in 1930. She believes that his scar had nothing to do with his distinctive speech pattern, his lip wound gave him no speech, before or after it was restored. Over the years, Bogart practiced all kinds of lip gymnastics, accompanied by nasal tones, snarls, lisps, and allegations. WinCE are painful, his teaching, his fiendish grin were the most talented ever seen on film. "
Early career
Bogart returned home to find Belmont suffering from poor health (perhaps aggravated by morphine addiction), his medical practice was shaken, and he lost a lot of money the family's bad investments in timber. During his Navy days Bogart's character and values developed independently of family influence, and he began to rebel somewhat their values. He came to a liberal who hated pretensions, snobs and phonies, and at times he defied conventional behavior and authority, qualities he showed in life and in his films. On the other hand, he retained the qualities of good manners, articulateness, punctuality, modesty, and an aversion to being touched.
After his naval service, Bogart worked as a shipper and then bond salesman. He joined the Naval Reserve.
More importantly, he resumed his friendship with childhood friend Bill Brady, Jr., whose father had show business connections, Bogart and eventually got a job at the office of William A. Brady Sr. 's New World Films company. Bogart got to try his hand in screenwriting, directing and production, but excelled at nothing. For a while he was stage manager for playing one of Brady's daughter Lady ruined. A few months later, In 1921, Bogart made his debut in Japanese Drifting as a butler in another Alice Brady play, nervously speaking a line of dialogue. Yet a number of gigs followed in her later plays. Bogart was in the late actors held, and enjoyed the attention was an actor on stage. He declared, was born lazy and this was the softest of rackets.
He spent much of his spare time in speakeasies and became a heavy drinker. A bar room brawl at this time would have been the real cause of the lip injury Bogart, as it coincides better with the Louise Brooks account.
Bogart was raised to believe in acting was a gentleman, but he enjoyed stage acting. He never took acting classes, but was persistent and worked steadily at his craft. He appeared in at least seventeen Broadway productions between 1922 and 1935. He played second leads in juveniles or romantic comedies salon. He is said to have been the first actor to ask "Tennis, anyone?" on stage. Critic Alexander Woollcott wrote of Bogart's early work that it "is what is usually happy and described as inadequate. "Some reviews were kinder. Heywood Broun wrote Umphrey Bogart Nerves review the most effective performance Both dry and fresh, if possible feeding. Bogart loathed the trivial, effeminate parts he had to play early in his career, calling them "White Pants Willie" roles.
In the early his career, while playing a dual role in the play Drifting at the Playhouse Theatre in 1922, Bogart met actress Helen Menken. They married on May 20, 1926 at the Gramercy Park Hotel in New York City, separated on 18 November 1927, but remained friends. On April 3, 1928, he married Mary Philips in the apartment of her mother in Hartford, Connecticut. She, Like Menken, had a fiery temper and, like any other spouse Bogart was an actress. He had met Mary when she appeared in the game nerves, a very short term had the Comedy Theatre in September 1924.
After the 1929 crash, stage production declined sharply, and many of the more photogenic actors way to Hollywood. earliest film Bogart the role of Helen Hayes in 1928, two more real-The Dancing Town, a complete copy of which was never found. He also appeared with Joan Blondell in a Vitaphone short in 1930, which was being discovered in 1963. Bogart signed a contract with Fox Film Corporation for $ 750 per week. Spencer Tracy was a serious Broadway actor who took Bogart and admired, and they became good friends and drinking mates. It was Tracy, in 1930, who first called him "Bogey". (Alternately spelled in many sources, Bogart himself spelled his nickname "Bogie".) Tracy and Bogart appeared in their only film together in the early sound film John Ford's Up the River (1930), with both playing prisoners. It was Tracy's film debut. Then Bogart performed in The Bad Sister Bette Davis in 1931 in a small part.
Bogart moved back and forth between Hollywood and the New York stage from 1930 to 1935, suffering long periods unemployed. His parents were divorced, deceased in 1934 and Belmont in debt, Bogart eventually paid off. (Bogart inherited from his father's gold ring he always wore, even in many of his films. On his father's deathbed, Belmont Bogart finally told how much he loved him.)
Bogart was the second marriage on the rocks, and he was less happy with his acting career to date, he was depressed, irritable, and drank heavily.
The Petrified Forest
Lauren Bacall, Humphrey Bogart and Henry Fonda in the 1955 television broadcast of Petrified Forest.
Bogart starred in the Broadway play Invitation to a murder in the Theatre Masque, now the John Golden, Theater in 1934. The producer Arthur Hopkins heard playing off stage and left Bogart play Duke Mantee in Robert escaped murderer E. Sherwood's new play, The Petrified Forest. Hopkins recalled:
When I saw the actor I saw was a little surprised, because he was the one I never much admired. He was an old young person who most his stage name of life in white trousers swinging a tennis racket. He seemed so far from a cold blooded murderer as one could get, but the voice (dry and tired) remained and the voice was Mantee's.
The play had 197 performances at the Broadhurst Theatre in New York in 1935. Leslie Howard was the star. A critic for the New York Times Brooks Atkinson said of the game, a peach-roaring western melodrama Humphrey Bogart is not the best work of his career as actor.43] Bogart said the film arked my liberation from the ranks the sleek, sybaritic, stiff-shirted, swallow-tailed moothies which I seemed condemned to live. He was still feeling unsafe.
Warner Bros. bought the rights The Petrified Forest on the screen. The studio was known for his social realism, urban, low-budget action pictures, the game seemed like the perfect home for her, especially since the audience was enchanted by real-life criminals like John Dillinger and Dutch Schultz. Bette Davis and Leslie Howard were cast. Howard, who held production rights, clear he wanted Bogart to star with him. The studio tested several Hollywood veterans for the Duke Mantee role, and chose Edward G. Robinson, who had a greater star appeal and was due to a expensive movie to make his contract are. Bogart cabled news of this Howard, who was in Scotland. Howard cabled reply was, tt: Jack Warner insist Bogart Bogart Play No Mantee No Deal LH. When Warner Bros. saw that Howard would not admit it, they gave in and cast Bogart. Jack Warner, famous for knocks heads with his stars, Bogart tried to get to a stage name to take, but stubbornly refused Bogart. Bogart never forgot Howard's favor, and in 1952 he named his only daughter, Leslie, after Howard, who was deceased in the Second World War. Robert E. Sherwood remained a close friend of Bogart.
Early film career
The film version of The Petrified Forest was released in 1936. His performance was rilliant called, and ompelling uperb. Despite his success in film, Bogart received a lukewarm twenty-six weeks contract at $ 550 per week and was typecast as a gangster in a series of "B movie "crime dramas. Bogart was proud of his success, but the fact that it comes from playing a gangster weighed on him. He once said:
I can not in a mild discussion without turning into an argument. There must be something in my voice, or this arrogant faceomething to antagonize anyone. Nobody likes me on sight. I suppose that's why I'm cast as the heavy.
Bogart's roles were not only repetitive, but physically demanding and drainage (studios were not air conditioned) and are disciplined, tightly scheduled job at Warners was not exactly the actor eachy life he had hoped. However, he was always professional and generally respected by other actors. In those "B film" years, Bogart started developing its enduring film personalities of the wounded, stoical, cynical, charming, vulnerable, self-mocking loner with a core of honor.
Bogart dispute with Warner Bros. about roles and money were similar to the studio had other, less-than-obedient stars such as Bette Davis, James Cagney, Errol Flynn and Olivia de Havilland.
Bogart and Jeffrey Lynn with James Cagney in The Roaring Twenties (1939), the last movie Cagney and Bogart made together.
The studio system, in its most visceral, mostly limited players to one studio, with occasional loan-outs, and Warner Bros. had no interest in making Bogart a top star. Shoot on a new movie might begin days or only a few hours after the shooting on the previous is completed. Any actor who refused a role could be suspended without pay. Bogart disliked the roles chosen for him, but he worked steadily: between 1936 and 1940, Bogart averaged a movie every two months, sometimes working on two at once, such films were generally not successive shot. Facilities at Warners were few compared to those of their fellow actors at MGM. Bogart Warner thought the wardrobe department was cheap, and often own costumes wore in his films. In High Sierra, Bogart used his own dog, the dog pard Zero character play.
The leading men ahead Bogart at Warner Bros. included not only as classic stars as James Cagney and Edward G. Robinson, but also actors far less well known today, such as Victor McLaglen, George Raft and Paul Muni. Most of the studios more movie scripts went to these people, and Bogart had to take what's left. He made films like Racket Busters, San Quentin, and you can not get away with murder. The only substantial leading role in this period he was in Dead End (1937), and lent to Samuel Goldwyn, where he portrayed a gangster Baby Face Nelson modeled. He played a variety of interesting supporting roles, such as Angels With Dirty Faces (1938) (in which his character was shot by James Cagney's). Bogart was shot on film repeatedly the Cagney and Edward G. Robinson, among others. In Black Legion (1937), for a change, he is a good man caught up and destroyed by a racist organization played a movie called Graham Greene ntelligent and exciting, if rather earnest.
In 1938, Warner Bros. him a "hillbilly musical" called Swing Your Lady as a wrestling promoter; he later apparently considered this his worst film performance. In 1939, Bogart played a mad scientist in The Return of Doctor X. He cracked, "If Jack Warner had bloodI would not mind so much. The problem was that they were drinking mine and I was making this stinking movie. "
Dark Victory (1939) was one of the latest films in which he played a supporting role.
Mary Philips, in her sizzling stage hit A Touch of Brimstone (1935), refused to give up her career on Broadway to go to Hollywood with Bogart. After the play closed, however, she went to Hollywood but insisted on continuing her career (she was a bigger star than he was), and they decided to divorce in 1937.
On August 21, 1938, Bogart entered into a disastrous third marriage, to actress Mayo Methot, a lively, friendly woman when sober, but as a paranoid drunk. She was convinced that her husband was cheating on her. The more she and Bogart drifted apart, the more they drank, got furious and threw things at him: plants, crockery, everything at hand. She even has a house on fire, stabbed him with a knife and slit her wrists on several occasions. Bogart turn her mercilessly needle and a confrontation seemed to enjoy. Sometimes he turned violent. The press just called them "the Battling Bogarts." "The Bogart-Methot marriage was the sequel to the Civil War "Said their friend Julius Epstein. Wag noted that" madness in his Methot. "During this time, Bogart bought a motor launch, which he named after his Sluggy nickname for his hot-tempered wife. Despite his proclamations that "I like a jealous wife," we get along so well (because) we do not have illusions about each other ", and" I would not give you two cents for a dame without a temper ", it was a very destructive relationship.
In California in 1945, Bogart bought a 55-foot (17 m) yacht, The Santana, of actor Dick Powell. The sea was his sanctuary and he loved sailing around Catalina Island. He was a serious sailor, respected by other sailors who had seen too many Hollywood actors and their boats. About 30 weekends a year, he went on his boat. He once said: "An actor needs something to stabilize his personality, something to nail what he really is, not what he is doing if his. "
He had a lifelong aversion to pretentious, false or fake, and his son Stephen told Turner Classic Movies host Robert Osborne in 1999. Sensitive and caustic, and disgusted by the inferior movies he was performing in, Bogart cultivated the persona of a soured idealist, a man banished from the better things in New York, living by his wits, drinking too much, cursed to live his life among second-rate people and projects.
Bogart rarely saw his own films and premieres avoided. He did not participate in the Hollywood gossip columnists to the game or fun, or in fake politeness and admiration of his colleagues or go behind the scenes back-stabbing. He even protected his privacy invented press about his private life to the curiosity of the press and the public satisfaction. When he thought an actor, director or a movie studio had done something shoddy, he spoke about and was willing to be quoted. He advised Robert Mitchum, the only way to to survive in Hollywood was a "star again become active. As a result, he was not the most popular of the actors, and some in the Hollywood community shunned him personally to problems with the studios to avoid. But the Hollywood press, unaccustomed to openness, was delighted. Bogart once said:
All over Hollywood, they are constantly advise me: "Oh, you should not say. That you get in a lot of trouble" if I say that a number of pictures or writer or director or producer is not good. I do not get it. If he is not good, why can not you say so? If more people would mention, soon might start with some effectiveness.
Rise to stardom
High Sierra
High Sierra, a 1941 film directed by Raoul Walsh, had a screenplay written by Bogart's friend and drinking partner, John Huston, adapted from the novel by WR Burnett (Little Caesar, etc.). Both Paul Muni and George Raft hit the lead, taking the opportunity to Bogart a sign of some deep play. The film was Bogart's last great film is a gangster (his last gangster role was in the Big Shot in 1942). Bogart worked well with Ida Lupino and her relationship with him was a close one, provoking the jealousy of Bogart's Mayo woman.
The film cemented a strong personal and professional connections between Bogart and Huston. Bogart admired and somewhat envied Huston for his skill as a writer. Though a poor student, Bogart was a lifelong reader. He could quote Plato, Pope, Ralph Waldo Emerson and over a thousand lines of Shakespeare. He subscribed to the Harvard Law Review. He admired writers, and some of his best friends were screenwriters, including Louis Bromfield, Nathaniel Benchley and Nunnally Johnson. Bogart enjoyed intense, provocative conversation and stiff drinks, like Huston. Both were rebellious and like to play childish pranks. John Huston was reported to be easily bored during production, and admired Bogart (who also got bored easily from the camera) not only for his acting talent but for his intense concentration on the set.
The Maltese Falcon
Bogart as Sam Spade in the Maltese Falcon
Raft rejected the male lead in the directorial debut of John Huston's The Maltese Falcon (1941), due to the one that destroyed version of the Pre-Production Code The Maltese Falcon (1931), his contract stipulating that he did not have to appear in remakes. The original novel written by Dashiell Hammett, was first published in the pulp magazine Black Mask in 1929. It was also the basis for another movie version, Satan with a Lady (1936). Completion Bogart were co-stars Sydney Greenstreet, Peter Lorre, Elisha Cook, Jr., and Mary Astor as the treacherous female foil.
Sharp timing Bogart as private detective Sam Spade was praised by the cast and director as of vital importance of quick action and rapid-fire dialog. The film became a huge hit and Huston, a triumphant debut as a director. Bogart was unusually happy, note, "the is almost a masterpiece. I know many things I proud, but that is one. "
Casablanca
Bogart got his first real romantic lead in 1942 Casablanca, playing Rick Blaine, the hard-pressed expatriate club owner, hiding the past and negotiate a fine line between Nazis, the French underground, the Vichy prefect and unresolved feelings for his ex-girlfriend. The film was directed by Michael Curtiz, produced by Hal Wallis and was characterized by a strong cast, including Ingrid Bergman, Claude Rains, Sydney Greenstreet, Paul Henreid, Conrad Veidt, Peter Lorre and Dooley Wilson.
Sydney Greenstreet and Bogart in Casablanca.
In real life, Bogart played tournament chess, one level below master level and often played with crew and cast of the set. It was reportedly his idea that Rick Blaine be depicted as a chess player, who also served as a metaphor for the sparring relationship of the characters played by Bogart and Rains in the movie. However, Paul Henreid appeared as the best player.
The on-screen magic of Bogart and Bergman was the result of two actors do their best work, no real-life sparks, jealous wife but always assumed Bogart different. Of the set, co-stars hardly spoke during filming, where they would normally have a reputation for affairs with her leading men. Since Bergman was bigger than her leading man, Bogart had 3-inch (76 mm) blocks attached to his shoes in some scenes. She reportedly said later: "I kissed him but I never knew him." Years later, after Bergman had taken with Italian director Roberto Rossellini, and bore him a child, Bogart confronted her. "You used to be a big star," he said, "What am you now? "" A happy woman, "she replied. [Citation needed]
Casablanca won a 1943 Academy Award for Best Film. Bogart was nominated for Best Actor in a Leading Role, but lost to Paul Lukas for his performance in Watch on the Rhine. Still, for Bogart, it was a huge triumph. The film vaulted him from fourth, first in the contact list of the studios, then finally James Cagney, and more than doubling his salary more than $ 460,000 per year 1946, making him the highest paid actor in the world.
Bogart and Bacall
Bogart and Bacall interviewed during World War II.
Bogart met Lauren Bacall during filming have and have not (1944), a very loose adaptation of the Ernest Hemingway novel. The film has many similarities with Casablanca same enemies, same kind of hero, even a pianist sidekick (this time Hoagy Carmichael).
When they met, Bacall was nineteen and Bogart was forty-five. He nicknamed her "Baby". She was a model since she was sixteen and had acted in two plays failed. Bogart was drawn to Bacall's high cheekbones, green eyes, tawny blond hair and lean body, as her balance and earthy, outspoken honesty. He reportedly said, just saw your test. Well have fun together. Their physical and emotional report was very strong from the start, and the difference age and different acting experience also made of the extra dimension of a mentor-student relationship. Quite contrary to Hollywood's standards, it was his first affair with a leading lady. Bogart was still miserably married Bacall and his early meetings were brief and discreet, their separations bridged by ardent love letters. The relationship made it much easier for the newcomer in her first film, and Bogart did his best to reassure her by joking with her and quietly coaching her. He let her steal scenes and even encouraged. Howard Hawks, for his part, did his best for its performance and strengthen its role, and Bogart was easy to direct.
Hawks at one point began to disapprove of the pair. Hawks considered himself her protector and mentor, and Bogart was usurping that role. Hawks fell for Bacall and (usually he avoided his starlets, and he was married). Hawks told her she was nothing for Bogart and even threatened to send her to Monogram, the worst studio in Hollywood. Bogart calmed her down and went after the Hawks. Jack Warner unresolved the dispute and filming resumed. Out of jealousy, said Hawk of Bacall: "Bogie fell in love with the character she played, so they had to keep playing it the rest of her life."
The Big Sleep
Only a few months after wrapping the film, Bogart and Bacall were re-united their second film together, the film noir masterpiece The Big Sleep, based on the novel by Raymond Chandler, script again with the help of William Faulkner. Chandler thoroughly admired Bogart's performance: "Bogart can be difficult without a gun too He has a sense of humor, which contains that grating undertone of contempt .. "
Bogart was still torn between his new love and his sense of duty to his marriage. The mood was tense on the set and the actors emotionally exhausted as Bogart tried to find a way out of his dilemma. Again, the dialogue was full of sexual innuendo supplied by Hawks and Bogart is convincing and lasting as private detective Philip Marlowe. In the end, the film was very successful, although some critics found the plot confusing and exaggerated complicated.
Marriage
Divorce proceedings were initiated in February 1945. Bogart and Bacall marry in small ceremony in the mansion of Bogart's good friend, Pulitzer Prize-winning author Louis Bromfield at Malabar Farm in Lucas, Ohio on May 21, 1945.
Bogart and Bacall moved into a $ 160,000 white brick house an exclusive neighborhood in Holmby Hills.The proved a happy marriage, although there are the normal stresses due to their differences. He was a house sparrow and she found the night life. He held the sea, it made her sick. Bacall allowed Bogart much weekend time on his boat when they got seasick. Bogart drinks sometimes inflamed tensions.
Lauren Bacall gave birth to Stephen Humphrey Bogart on January 6, 1949. Stephen is nick named after Bogart's character and not have to, making Bogart a father at 49. Stephen would go on to become a best-selling author and biographer, later hosting a TV special about his father on Turner Classic Movies. They had their second child, Leslie Howard Bogart on August 23, 1952, a girl named after British actor Leslie Howard, who was killed in World War II.
Later career
The enormous success of Casablanca, Bogart's again career. For the first time, Bogart could be successfully cast as a tough, strong man and, simultaneously, as a vulnerable love interest. Despite increased Bogart standing, has he was not a contractual right of refusal script, so when he got weak script, he dug in his heels, and locked horns again with the front office, as he did on the film Conflict (1943). Although he is Jack Warner in that photo, he successfully rejected God Is My Co-Pilot (1945). During part of 1943 and 1944, Bogart went on USO tours and War Bond coached by Mayo, sustained heavy travel to Italy and North Africa, including Casablanca.
The Treasure of the Sierra Madre
Riding high in 1947 with a new contract that a script denial of rights and the right to form his own condition separate production company, Bogart reunited with John Huston for Treasure of the Sierra Madre, a grim story greed killing three miners played in the dusty back country of Mexico. In the absence of a love story or a happy ending, it was considered a risky project. Bogart said later that co-star (and John Huston's father) Walter Huston, "He's probably the only artist in Hollywood who I would like to see a scene."
The film was debilitating to make and was done in the summer for more realism and atmosphere. James Agee wrote: "Bogart has a great job with this character miles ahead of the very good work he has done. John Huston won the Academy Award for direction and screenplay and his father won Best Supporting Actor, but the film did mediocre box office results. Bogart complained n intelligent script, wonderful thing right dome differentnd public turned a cold shoulder to ".
The House Un-American Activities Committee
Bogart, a liberal Democrat, organized a delegation to Washington, DC, called the Committee for the First Amendment during the height of McCarthyism, against the sexual harassment House Un-American Activities Committee, Hollywood screenwriters and actors. He then wrote an article in the March 1948 edition of Photoplay "I am not a Communist" magazine in which he distanced himself from the Hollywood Ten in the negative publicity resulting from his appearance to counter. Bogart wrote: "The ten men cited for contempt by the House Un-American Activities Committee were not defended by us. "
Santana Productions
In addition to being better and more diverse roles offered he started his own production company in 1948, Santana Productions, named after his private yacht. (Santana was also the name of the yacht featured in the 1948 film Key Largo). Jack Warner was reportedly angry at this, even though it was in the contract Bogart, fearing that other stars would do the same and the big studios would lose their power. The studios however, were already under a lot of pressure not only from free-lancing actors like Bogart, James Stewart, Henry Fonda and others (who also saved taxes as independents), but also the erosive influence of television and from anti-trust laws scrapping theater chains. Bogart made his last film for Warners, Chain Lightning and The Enforcer, both early released in 1950.
Under Bogart Santana Productions, which released by Columbia Pictures, playing Bogart in Knock on any door (1949), Tokyo Joe (1949), In a lonely place (1950), Sirocco (1951) and Beat the Devil (1954). While the majority of his films lost money at the box office (the main reason for the end of Santana) at least two of them are still remembered today in a lonely place is now recognized as a masterpiece of film noir. Bogart plays embittered writer Dixon Steele, who has a history of violence and is a suspect in a murder case at the same time he falls for a failed actress played by Gloria Grahame. Many biographers Bogart and actress / Writer Louise Brooks agreed that the role is the closest to Bogart true self and is considered one of his best performances. She wrote that the film Ave him a role he could playing with complexity, because the film character's pride in his art, his selfishness, drunkenness, lack of energy stabbed with lightning of violence were shared by the real Bogart. The character even mimics some of Bogart's personal habits, including the 'ordering Bogart's favorite meal of ham and eggs.
Like the devil, are last film with his good friend and favorite director John Huston, also enjoys a cult following. Co-written by Truman Capote, the film is a parody of The Maltese Falcon, and a story of an amoral group of thugs chasing an unattainable treasure, in this case uranium.
Bogart sold his interest in Santana to Columbia for more than $ 1 million in 1955.
The panda incident
Bogart and his friend Bill Seeman arrived at the El Morocco Club in New York City after midnight in 1950. Bogart and Seeman sent someone to to buy two 22-pound stuffed pandas because, in a drunken state, they thought the pandas would be good company. They propped up the bears in separate chairs, and started drinking. Two young women saw the stuffed animals. When a woman picked up, she quickly landed on the floor. The other woman tried to do the same and wound up in the same position.
Bogart was awakened the next morning by a city official who served him a summons for assault. Knowing a media frenzy was imminent, he met the media, unshaven and in pajamas. He told the press he remembered grabbing the panda and the "screaming, screaming young lady. No one hurt, I did not sock anybody;. If girls fell to the ground, I think it was because she could not get up "At the same time reported the alleged victim had three marks from the alleged assault and" she explained that she had swelling and bruises. "club spokesperson Leonard MacBain said," No blows were exchanged, it was just one of those things. "
The following Friday, after the woman admitted to touching the panda, "Magistrate John R. Starkey ruled that Bogart had been defending his property, said he suspected the actor mouse trapped in the cause of the club publicity, and dismissed the case. "
The African Queen
Bogart in The African Queen
Bogart starred Katharine Hepburn in the movie The African Queen in 1951, again directed by his friend John Huston. The novel was overlooked and left undeveloped for fifteen years producer Sam Spiegel and Huston bought the rights. Katharine Hepburn Mirror sent the book and they suggested Bogart the male lead, the conviction that e was the only man who could have played that part. Huston's love of adventure, a chance to work with Hepburn, Bogart and previous successes with Bogart, Huston believes the comfortable confines of Hollywood to leave for a difficult shoot on location in the Belgian Congo in Africa. Bogart was 30 percent of profits and Hepburn 10 percent, plus a relatively small salary for the two to get. The stars in London meeting and announced the happy prospect of working together.
Bacall was the duration (more than four months), leaving their young child behind, but the Bogart began the trip with a jaunt through Europe, including a visit to Pope Pius XII. Later, the glamorous and she would have gone himself useful as a cook, nurse, and clothes washer, which praised her Bogart, Don know what we have done without her. She Luxed my underwear in darkest Africa. Almost everyone in the cast came down with dysentery except Bogart and John Huston, who lived on canned food and alcohol. Bogart explained: "All I ate was baked beans, canned asparagus and Scotch whiskey when a fly bit Huston or me, dropped dead .." The teetotaling Hepburn, in and out of character, fared worse in the difficult conditions, losing weight, and at one point get very sick. Bogart resist Huston's insist on using real leeches in a key scene where Bogart has to drag the boat through a shallow swamp until reasonable fakes were employed. In the end, The crew overcame illness, soldier ant invasions, leaky boats, poor nutrition, attacking hippos, bad water filters, high heat, insulation, and a boat for a memorable film complete.
The African Queen was the first Technicolor film in which Bogart appeared. Remarkably, he appeared in relatively few color films for the rest of his career, which took another five years. (His other color films included The Caine Mutiny, The Barefoot Contessa, We No Angels, and The Left Hand of God.)
The role of Charlie Allnutt Bogart won his only Academy Award for Best Actor in a Leading Role in 1951. Bogart as his best performance of his film career. He had sworn friends that if he won, his speech would the convention to thank everyone in sight to break. He advised Claire Trevor when she was nominated for Key Largo ust to say you did everything yourself and thank everyone Thurs. But when Bogart the Academy Award, surely he coveted despite his disdain for Hollywood won well advertised, he said it's a long way from the Belgian Congo to the stage of this theater. The is more fun to be here. Thank you very muchNo one does it alone. As in tennis, you have a good opponent or partner to bring out the best in you. John and Katie helped me to where I am today. Despite the thrilling win and recognition, Bogart later comments, he way to survive an Oscar is never to try another one … too much and then win the starswin Figure up to them top … they are afraid to take risks. The result: A lot of dull performances in boring pictures.
Last roles
from the Treasure of the Sierra Madre trailer (1948)
Bogart dropped his asking price for the role of Captain Queeg in Edward Dmytryk The Caine Mutiny get, then cried with some of its old bitterness. For all his success, he still had his melancholy old self, grumbling and bickering with the studio, when his health began to deteriorate.
Bogart gave a bravura as Captain Queeg, an unstable naval officer, in many ways an extension of the character he had played in The Maltese Falcon, Casablanca and The Big Sleephe wary loner who trusts no oneut none of the warmth or humor that made those characters so appealing. Like his portrayal of Fred C. Dobbs in Treasure of the Sierra Madre, Bogart played a paranoid, self-pitying character whose small-mindedness eventually destroyed him. Three months before the release of the film, Bogart as Queeg appeared on the cover of Time Magazine, while on Broadway starring Henry Fonda was in the stage version (in a different role), both of which generated strong publicity for the film.
In Sabrina, Billy Wilder, unable to secure Cary Grant, Bogart chose the role of the older, conservative brother who competes with his playboy younger brother (William Holden) for the affection the Cinderella-like Sabrina (Audrey Hepburn). Bogart was lukewarm about the role, but agreed with Wilder on a handshake, without a finished script, and guarantees provided by the Director to take good care of Bogart during the filming. But Bogart got on badly with his director and co-stars. He also complained about the script, which was written on a last-minute, daily, and Wilder favored Hepburn and Holden on and off the set. The biggest problem was that Wilder was the opposite of his ideal director John Huston, both in style and personality. Bogart told the press that Wilder was "arrogant" and "is the kind of Prussian German with a riding crop. He is the type of director I do not want with … The picture is a pot of shit. I got sick and tired of who gets Sabrina. "Wilder said:" We parted as enemies, but eventually recovered. "Despite the bitterness, the film was a success. The New York Times said Bogart, "He is incredibly helpful … the skill with which this old rock-ribbed actor blend the jokes and such duplicities with a male way of melting is one of the incalculable joys of the show. "
The Barefoot Contessa, directed by Joseph Mankiewicz in 1954 and filmed in Rome, Bogart gave one of his most subtle roles. In this Hollywood back-story movie, Bogart is the broken man again, this time the cynical director-narrator, who saves his career by making a star of a flamenco dancer Ava Gardner, based on the real life of Rita Hayworth. Bogart was uncomfortable with Gardner because she had just split off from "rat-pack" buddy Frank Sinatra and was carrying on with bullfighter Luis Miguel Domingun. Bogart said to her: "Half the world's female population would throw themselves at Frank's feet and here you are fluffed around with guys who wear capes and little ballet slippers. "He was irritated by her inexperienced performance. Later, she credited him with her help. Bogart's performance was universally praised as the strongest part of the film. During filming, while Bacall was at home, resumed his discreet affair with Bogart Verita Peterson, his long time studio assistant who took him sailing and enjoyed drinking with. But Bacall was suddenly on the scene they discover together, Bacall took it pretty well. They extracted an expensive shopping spree of him and the three traveled together after the shooting.
Bogart was generous with actors, especially those on the blacklist, on their luck, or personal problems. During the filming of The Left Hand of God (1955), he noticed that his co-star Gene Tierney having a hard time remembering her lines and behave strangely. He coached Tierney, feeding her lines. He became acquainted with a mental illness (his sister had bouts of depression), and Bogart encouraged Tierney to seek treatment, which she did. He stood behind Joan Bennett and urged her as his co-star in We're No Angels as a scandal made her persona non grata with Jack Warner.
In 1955 he made three films: We're No. Angels (dir. Michael Curtiz), the left hand of God (dir. Edward Dmytryk) and The Desperate Hours (Dir. William Wyler). Mark Robson The Harder They Fall (1956) was his last film.
Television Work
Bogart rarely appeared on television. However, he and Lauren Bacall appeared on Edward R. Murrow 's person to person. Bogart was also featured on The Jack Benny Show. The surviving kinescope of the live broadcast features Benny Bogart in his only TV sketch comedy outing. Bogart and Bacall also worked on an early color broadcast in 1955, a NBC adaptation of The Petrified Forest for Producers Showcase ", a black and white kinescope of the live broadcast has survived.
Radio work
Bogart conducted radio adaptations of some of his most famous films, like Casablanca and The Maltese Falcon. He also recorded a long-running radio series called Bold Venture with Lauren Bacall.
Filmography
Main article: Humphrey Bogart filmography
The Rat Pack
Bogart was a founding member of the Rat Pack. In the spring of 1955, after a long party in Las Vegas with Frank Sinatra, Judy Garland, her husband, Sid Luft, Mike Romanoff and wife Gloria, David Niven, Angie Dickinson and others, Lauren Bacall surveyed the wreck of the party and said: "You look like a goddamn rat pack."
Romanoff's in Beverly Hills was where the Rat Pack was official. Sinatra was named Pack Leader, Bacall called Den Mother, Bogie was Director of Public Relations, and Sid Luft Cage Acting Manager. When asked by columnist Earl Wilson what the purpose the group was, Bacall responded "to drink a lot of bourbon and stay up."
Chess
Bogart was an excellent chess player, almost from the master strength. Before he made no money to act, then he pressed players for dimes and quarters, playing in New York parks and Coney Island. The chess scene in Casablanca was not in the original script, but were at his insistence. A chess position of one of his correspondence games will appear in the film, although the picture is a little blurred. He received a draw in a simultaneous given in 1955 in Beverly Hills by the famous chess champion Samuel Reshevsky and also played against George Koltanowski in San Francisco in 1952 (Koltanowski played blindfolded but still won in 41 moves).
Bogart was a U.S. Chess Federation tournament director and active in the California State Chess Association and a frequent visitor Hollywood of the chess club. In 1945, the cover of the June-July issue of Chess Review showed Bogart plays with Charles Boyer, as Lauren Bacall (who also played) looks on. In June 1945, In an interview in the magazine Silver Screen, when asked what things in life are most important to him, he replied that chess was one of his main interests. He added that he played chess almost every day, especially between film shootings. He loved the game his whole life.
Death
Humphrey Bogart's star on the Hollywood Walk of Fame.
By the mid-1950s, Bogart's health was not. Once, after signing a long-term treatment with Warner Bros., Bogart predicted with glee that his teeth and hair would fall out before the contract terminated. That sent a fuming Jack Warner to his lawyers. Bogart had formed a new production company and had plans for a new movie Melville Goodwin, USA, where he would play a general and a media magnate Bacall. Include persistent cough and difficulty in eating was too serious to and he ignored the project. The film was again named Top Secret Affair and made with Kirk Douglas and Susan Hayward.
Bogart, a heavy smoker and drinker, contracted cancer of the esophagus. He almost never about his poor health and refused to see a doctor until January 1956. A diagnosis was made several weeks later and by then removing his esophagus, two lymph nodes and a rib on March 1, 1956 is too late to stop the disease, even with chemotherapy. He underwent corrective surgery in November 1956 after the cancer had spread.
Katharine Hepburn and Spencer Tracy came to see him. Frank Sinatra was a frequent visitor. Bogart was too weak to walk up and down stairs. He bravely fought the pain and attempted jokes about his immobility: "Put me in the dumbwaiter and I'll ride down to the first floor in style." That's what happened, the dumbwaiter was changed his wheelchair. Hepburn in an interview, described the last time she and Spencer Tracy saw Bogart (the night before he died):
Spence patted him on the shoulder and said, 'Goodnight, Bogie. " Bogie turned his eyes to Spence very quietly and with a sweet smile under Spence with his own hand and said, 'Goodbye, Spence. 'Spence's heart stood still. He understood.
Bogart was 57 and weighed just 80 pounds (36 kilograms) when he died on January 14, 1957 after falling into a coma. He died 2 hours 25 at his home at 232 Mapleton Drive in Holmby Hills, California. His simple funeral was held at All Saints Episcopal Church with musical selections played from Bogart's favorite composers, Johann Sebastian Bach and Claude Debussy. It was attended by some of the biggest stars of Hollywood including: Katharine Hepburn, Spencer Tracy, David Niven, Ronald Reagan, James Mason, Danny Kaye, Joan Fontaine, Marlene Dietrich, Errol Flynn, Gregory Peck and Gary Cooper, as well as Billy Wilder and Jack Warner. Bacall had asked Spencer Tracy to give the eulogy but Tracy was too upset, so John Huston gave the eulogy instead, and reminded the gathered mourners that while Bogart's life was ended too soon, had one was rich.
Himself, he never took too seriously most seriouslyis work. He regarded the somewhat gaudy figure of Bogart, the star, with amused cynicism, Bogart, the actor he held in deep respectIn each of the fountains of Versailles is a pike which keeps all the carp are active, or they would grow fat and die. Bogie took rare delight in performing a similar duty in the fountains of Hollywood. Yet his victims seldom bore him no harm, and when she did, not for long. Its axes, only formed at the pole in the outer layer of complacency, and not to penetrate into the regions of the spirit where real injuries are done … He is quite irreplaceable. There will never be another like him. "
Zijn cremated remains are interred at Forest Lawn Memorial Park Cemetery, Glendale, California. Buried with him is a small golden flute, he had given to his future wife, Lauren Bacall, before they married. Referring to their first film together, it was inscribed: "If you do, flute want. "
Humphrey Bogart's hand and footprints were immortalized in the forecourt of Grauman's Chinese Theater and he has a star on the Hollywood Walk of Fame at 6322 Hollywood Boulevard in Hollywood.
Tributes
After his death, a "Bogie Cult" formed at the Brattle Theatre in Cambridge, Massachusetts, and Greenwich Village, New York and in France, which contributed to its peak popularity in the late 1950s and 1960.
In 1997, Entertainment Weekly magazine him number one movie legend of all time. In 1999, the American Film Institute ranked him the greatest Male Star of All Time.
Jean-Luc Godard's Breathless (1960) was the first film pay homage to Bogart. Later, in Woody Allen's comedic homage to Bogart Play It Again, Sam (1972), Bogart's ghost comes to the aid of the bumbling character Allen, a film critic with women's problems and whose "sex life has changed in the 'Petrified Forest'."
In 1997, the United States Postal Service featured Bogart in "Legends of Hollywood" series.
Quotes
Wikiquote has a collection of quotations related to: Humphrey Bogart
Bogart is credited with five of the American Film Institute top 100 quotations in American cinema, the most by an actor:
5th: "Here's looking at you, boy "Casablanca
14th: "The things that dreams are made of." The Maltese Falcon
20th: "Louis, I think this is the beginning of a beautiful friendship. "Casablanca
43rd: "We are in Paris." Casablanca
67th: "Of all the gin joints in all cities the world, she walks into mine. "Casablanca
In popular culture
This "In popular culture 'section can contain minor references. Please send this content to reorganize the subject of the impact on popular culture rather than simply listing appearances to explain, and remove references trivia. (January 2010)
Humphrey Bogart's life led to the imagination of many writers and others:
The Fedora version of the "Bogart" was named for the actor, who is also the first hat wearer.
The movie Friday the 13th (1980 film) features Mark Nelson Ned who does an impression of Bogart, speaking the line "You know, you're beautiful when you mad, dear, you."
Two Bugs Bunny cartoons featured Humphrey Bogart:
In Slick Hare (1947), Bogart orders rabbit in a Hollywood restaurant. Told they no rabbit, he is intense, leading waiter Elmer Fudd trying (unsuccessfully as usual) for Bugs serve as a meal. Bogart finally gives up, saying: ". Baby will just have a ham sandwich" Baby "is the nickname of Bacall. Bugs, when you hear the name, immediately presents itself and is completely Ga-Ga than Bacall, who looks with pleasure.
In 8 Ball Bunny (1950) Bugs decides to return a baby penguin take to the Antarctic. At intervals, "Fred C. Dobbs" (Bogart's character in Treasure of the Sierra Madre) appears and asks Bugs to "help a poor American on his luck "Bogart says a line a few times in the John Huston film, plays an American gringo.
In VS Naipaul's Miguel Street (1959), a character renames himself "Bogart" from Casablanca is shown in Trinidad.
Bogart can be seen in one of the comedies of Woody Allen Play It Again, Sam (1972), which the story of a young man obsessed with his personality is concerned.
Issue # 70 of the U.S. The Phantom (1977) comic book is known as the "Bogart" issue, as the story stars Humphrey Bogart, Lauren Bacall, Sydney Greenstreet, Peter Lorre and Claude Rains, and is a blend of Casablanca, The African Queen, The Maltese Falcon and Treasure of the Sierra Madre.
The Man With Bogart's Face (1981) movie played Bogart lookalike Robert Sacchi.
The comic book series The Bogie Man has a psychiatric patient who believes he is an amalgam of several characters Bogart movie.
The slang term "bogart" refers to taking one at unduly long time with a cigarette, drink, et cetera, which is supposed to be shared (eg "Do not Bogart that joint!"). It is derived from Bogart's style of smoking cigarettes, in which he dropped his cigarette from his mouth rather than withdrawing them between puffs.
See also
Bogart-Bacall syndrome
References
Notes
^ Ontario County Times birth announcement, January 10, 1900.
^ Anniversary of Reckoning.
^ Michael Sragow (January 16, 2000). "SPRING FILMS / REVIVALS; How Bogart a role created in an icon." The New York Times. http://query.nytimes.com/gst/fullpage.html?res=9A07E7DB163AF935A25752C0A9669C8B63. Received February 22, 2009.
^ "100 Icons of the Century – Humphrey Bogart". [[Variety (magazine )|]]. October 16, 2005. http://www.variety.com/index.asp?layout=variety100&content=jump&jump=icon&articleID=VR1117930697. Received February 22, 2009.
^ Meyers 1997, p. 5.
^ "The religious affiliation of Humphrey Bogart." Adherents.com.
^ The 1900 census for the household of Belmont Bogart lists his son Humphrey as having a birth date in December 1899. There are also three different censuses attesting that his birth date in December 1899. His last wife, actress Lauren Bacall, always maintained that his true birth date was December 25. See Bogart: Urban Legends.
^ Meyers 1997, p. 67.
Ab ^ Meyers 1997, p. 8.
^ Meyers 1997, p. 6.
^ Meyers 1997, p. 1011.
^ Meyers 1997, p. 910.
^ Meyers 1997, p. 9.
^ Meyers 1997, p. 22.
^ Hyams 1975, p. 12.
^ Meyers 1997, p. 12.
^ Meyers 1997, p. 13.
^ Wallechinsky and Wallace 2005, p. 9.
Ab ^ Meyers 1997, p. 18-19.
^ Meyers 1997, p. 19.
^ Sperber and ab Lax 1997, p. 27.
^ Citro, Sceurman, Mark and Moran 2005, pp 240241.
^ Meyers 1997, p. 29.
^ Sperber and Lax 1997, p. 28.
^ Meyers 1997, p. 22, 31.
Ab ^ Meyers 1997, p. 23.
^ Meyers 1997, p. 24, 31.
^ Sperber and Lax 1997, p. 2931.
^ Sperber and Lax 1997, p. 35.
^ Humphrey Bogart at the Internet Broadway Database.
^ Meyers 1997, p. 28.
^ Time Magazine, June 7 1954.
^ Sperber and Lax 1997, p. 33.
^ Sperber and Lax 1997, p. 36.
^ Sperber and Lax 1997, p. 3939.
^ Letter from Bogart John Huston shown in the documentary John Huston: The Man, the movies, the Maverick (1989).
^ Meyers 1997, p. 41.
^ Sperber and Lax 1997, p. 41.
^ Meyers 1997, p. 48.
Ab ^ Sperber and Lax 1997, p. 45.
^ Meyers 1997, p. 49.
Ab ^ Meyers 1997, p. 51.
^ Sperber and Lax 1997, p. 46.
^ Meyers 1997, p. 52.
^ Sperber and Lax 1997, p. 5254.
^ Sperber and Lax 1997, p. 57.
^ Sperber and Lax 1997, p. 6061.
^ Meyers 1997, p. 56.
^ Meyers 1997, p. 54.
^ Meyers 1997, p. 69.
^ Meyers 1997, p. 67.
^ Lax, Eric. Audio commentary for Disc One of the 2006 three-disc DVD special edition of The Maltese Falcon.
^ Sperber and Lax 1997, p. 6263.
^ Meyers 1997, p. 78, 91-92.
^ Meyers 1997, p. 81.
^ Interview with John Huston.
^ Meyers 1997, p. 76.
^ Meyers 1997, p. 86-87.
^ Sperber and Lax 1997, p. 119.
^ Sperber and Lax 1997, p. 128.
Ab ^ Sperber and Lax 1997, p. 127.
^ Meyers 1997, p. 115.
^ Meyers 1997, p. 123.
^ Meyers 1997, p. 125.
^ Meyers 1997, p. 131.
^ Sperber and Lax 1997, p. 198.
Ab ^ Sperber and Lax 1997, p. 201.
^ Sperber and Lax 1997, p. 196.
^ Ab Meyers 1997, p. 151.
^ Meyers 1997, p. 166.
^ Meyers 1997, p. 165.
^ Sperber and Lax 1997, p. 258.
^ Meyers 1997, p. 166167.
^ Meyers 1997, p. 173174.
^ Sperber and Lax 1997, p. 263264.
^ Meyers 1997, p. 168.
^ Sperber and Lax 1997, p. 289.
^ Meyers 1997, p. 180.
^ Meyers 1997, p. 185.
^ Meyers 1997, p. 188191.
^ Sperber and Lax 1997, p. 422.
^ Sperber and Lax 1997, p. 464.
^ Sperber and Lax 1997, p. 214.
^ Meyers 1997, p. 164.
^ Sperber and Lax 1997, p. 337.
^ Sperber and Lax 1997, p. 343.
^ Meyers 1997, p. 227.
^ Meyers 1997, pp 229230.
^ Porter 2003, page 9.
^ "I'm not a communist." Photoplay March 1948.
^ Meyers 1997, p. 236.
^ Meyers 1997, p. 235.
^ In a lonely spot on Rotten Tomatoes.
^ Meyers 1997, p. 240241.
^ Sperber and Lax 1997, p. 471.
^ Meyers 1997, p. 243.
Abcd ^ Sperber and Lax 1997, p. 428.
^ Sperber and Lax 1997, p. 429.
Ab ^ Sperber and Lax 1997, p. 430.
^ Sperber and Lax 1997, p. 439.
^ Meyers 1997, p. 248.
^ Meyers 1997, p. 249.
^ Sperber and Lax 1997, p. 444.
^ Sperber and Lax 1997, p. 447.
^ Sperber and Lax 1997, p. 444445.
^ Meyers 1997, p. 258.
^ Meyers 1997, p. 259260.
^ Sperber and Lax 1997, p. 480.
^ Meyers 1997, p. 279280.
^ Meyers 1997, p. 281.
^ Meyers 1997, p. 283.
^ Sperber and Lax 1997, p. 495.
^ Meyers 1997, p. 288290.
^ Meyers 1997, p. 291292.
^ Gene Tierney: A Shattered Portrait. The Biography Channel, 03/26/99.
^ Tierney and Herskowitz 1978, p. 164165.
^ Meyers 1997, p. 294.
Ab ^ Sperber and Lax 1997, p. 504.
^ Http: / / www.chessgames.com / player / humphrey_bogart.html
^ VS Naipaul and the fate of the dispossessed by William L. Sachs.
^ Oxford English Dictionary, Second edition, which is referred to in http://www.wordorigins.org/index.php/site/comments/bogart/
Bibliography
Bacall, Lauren. By Myself. New York: Alfred Knopf, 1979. ISBN 0-394-41308-3.
Bogart, Stephen Humphrey. Bogart: in search of my Father. New York: Dutton, 1995. ISBN 0-525-93987-3.
Bogart, Humphrey. "I'm no communist" Photoplay Magazine, March 1948.
Citro, Joseph A., Mark Sceurman and Mark Moran.Weird New England. New York: Sterling, 2005. ISBN 1-40273-330-5.
Halliwell, Leslie.Halliwell Film, Video and DVD Guide. New York: Harper Collins Entertainment, 2004. ISBN 0-00-719081-6.
Hepburn, Katharine. The Making of the African Queen. New York: Alfred Knopf, 1987. ISBN 0-394-56272-0.
Hill, Jonathan and Jonah Ruddy. Bogart: The man and the legend. London: Mayflower-Dell, 1966.
Humphrey Bogart (cover story). " Time Magazine, June 7, 1954.
Hyams, Joe. Bogart and Bacall: A Love Story. New York: David McKay Co., Inc., 1975. ISBN 0-44691-228-X.
Hyams, Joe. Bogie: The Biography of Humphrey Bogart. New York: New American Library, 1966 (later editions renamed: Bogie: The Definitive Biography Humphrey Bogart). ISBN 0-45109-189-2.
Meyers, Jeffrey. Bogart: A Life in Hollywood. London: Andre Deutsch Ltd., 1997. ISBN 0-233-99144-1.
Michael, Paul. Humphrey Bogart: The Man and his films. New York: Bonanza Books, 1965. No ISBN.
Porter, Darwin. The Secret Life of Humphrey Bogart: The Early Years (1899-1931). New York: Georgia Literary Association, 2003. ISBN 0-9668030-5-1.
Pym, John, ed. "Time Out" Film Guide. London: Time Out Group Ltd., 2004. ISBN 1-904978-21-5.
Sperber, AM and Eric Lax. Bogart. New York: William Morrow & Co., 1997. ISBN 0-68807-539-8.
Tierney, Gene by Mickey Herskowitz.Self-Portrait. New York: Peter Wyden, 1979. ISBN 0-883261-52-9.
Wallechinsky, David and Amy Wallace. The new book lists. Edinburgh, Scotland: Canongate, 2005. ISBN 1-84195-719-4.
Youngkin, Stephen D. The Lost One: A Life of Peter Lorre. Lexington, Kentucky: University Press of Kentucky, 2005, ISBN 0-813-12360-7.
External links
Wikimedia Commons has media related to: Humphrey Bogart
Humphrey Bogart at the Internet Broadway Database
Humphrey Bogart at the Internet Movie Database
Humphrey Bogart at Allmovie
Humphrey Bogart in the TCM Movie Database
Humphrey Bogart on Find a grave
Bogie Online: The online source for Humphrey Bogart fans
Humphrey Bogart player profile ChessGames.com
Modern Drunkard: Three Drinks Ahead with Humphrey Bogart
Gary Cooper (1941) James Cagney (1942) Paul Lukas (1943) Bing Crosby (1944) Ray Milland (1945) Fredric March (1946) Ronald Colman (1947) Laurence Olivier (1948) Broderick Crawford (1949) Jos Ferrer (1950) Humphrey Bogart (1951) Gary Cooper (1952) William Holden (1953) Marlon Brando (1954) Ernest Borgnine (1955) Yul Brynner (1956) Alec Guinness (1957) David Niven (1958) Charlton Heston (1959) Burt Lancaster (1960)
